Interviews

Working with the devil

December 19th, 2022

The Devil's Promise director Colin Teague explains how you make a blockbuster with poor internet connectivity – and an FX company hit by war

Year of the dragon

December 16th, 2022

As the prequel to an HBO juggernaut, House of the Dragon had beastly shoes to fill. The man behind VFX for the big-budget series...

Stranger than fiction

November 23rd, 2022

With Navalny, Niki Waltl pairs thrilling subject matter with cutting visuals fit for cinema. However, this tale is grounded firmly in reality

Blonde ambition

November 2nd, 2022

Chayse Irvin’s Blonde cinematography paints a fragmented fiction of history’s most famed actress – wilfully disruptive and emotionally charged in equal measure

Cloud forecast

November 2nd, 2022

From camera to cloud to remote post-processing, is the industry’s physical media on its last legs? If so, what’s in store – and when?...

Special (effects) agent

November 1st, 2022

Bond turned 60 last month. To celebrate, Definition asked Chris Corbould OBE – the man responsible for visual effects on 15 of the movies...

The speed of light

September 28th, 2022

Shunning big rigs and weighty supports, DOP Danny Vecchione opted for a lighter handheld set-up on his latest movie Down with the King

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Rise of the Robots

July 19th, 2022

From Terminator’s T-1000 to the sentinels of The Matrix, machines often play arch-enemy in front of the camera. But behind it, they’re more helpful...

Going up to Eleven

July 19th, 2022

Stranger Things is back for a fourth season and, as DOP Caleb Heymann tells us, it’s arguably his most challenging project yet

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