We speak to the director-DOP team behind Girl and Close about authenticity, open communication and developing a shared cinematic language
As Charlie Brooker’s dystopian tech nightmare basks in the glory of its seventh hit season, we catch up with regular DOP Stephan Pehrsson, BSC...
With its knack for innovation, Aputure is leading the way in eco-conscious, quality-first film lighting, finds Katie Kasperson
At Munich’s Motorworld venue, gear up for Euro Cine Expo 2025, as the show returns to bring together industry professionals and renowned brands from...
DOP Adam Newport-Berra talks lensing The Studio, Seth Rogen’s loving send-up of the filmmaking biz, with Oliver Webb
We don’t know enough about environmental impacts of post-production to make it fully zero carbon, but we know enough to start making changes now,...
We grill Kevin Greene, technical director EMEA at Panavision, on what filmmakers really want from their lenses, how virtual production is reshaping design priorities...
A definitive horror film that continues to intrigue audiences, The Shining is revered for its innovation and attention to detail. We revisit its set...
The British TV and indie film industries are spiralling as streamers become more powerful. MPs propose market regulations meant to protect British producers and...
We review what’s in store for Cine Gear LA, which hits the Universal Studios Lot in early June
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