PRODUCTIONS

Big ambition met indie budget on Bedlam, an upcoming movie set in a 17th-century mental asylum. The project’s DOP & DIT discuss how they maximised their budget

Over the last five years, these short-form, mobile-first films have become a multi-billion-dollar industry. Nicola Foley takes a look at the production process and consider...

From Atonement to Adolescence, the oner has become one of film and TV’s most discussed techniques. Powerful storytelling tool or overhyped gimmick? Seamus McGarvey, ASC, BS...

Decisively shot on film and on Amazon’s dedicated virtual stage, Fallout’s second season returns us to a visually riveting, wild western dystopian wasteland

Snow White DOP Mandy Walker, AM, ASC, ACS sits down to discuss the process of going from animation to live action – and the honour of recreating Disney’s first animated fea...

For 22 years, reality ballroom show Strictly Come Dancing has dominated the BBC’s Saturday evening slot. Its latest series was all the more magical thanks to LED and AR gra...

We sit down with Squid Game’s production designer Chae Kyoung-sun to discuss the colours, sets and references that define the latest season

In Laid, the murder weapon is sex. DOP Judd Overton brings the shock value to this darkly comedic love story

Autumn Durald Arkapaw, ASC shares how she and longtime collaborator Gia Coppola captured the fading glamour of Las Vegas’ famous showgirls, championing Pamela Anderson’s re...

John Mathieson, BSC shares how he & Ridley Scott brought ancient Rome roaring back to life in Gladiator II with Trevor Hogg