production

Pure imagination: Wonka

January 11th, 2024

An Oompa Loompa, giraffes and a chocolate waterfall. Will Lawrence talks creating Wonka’s madcap visual effects with Framestore’s Graham Page

Survival saga: Society of the Snow

January 10th, 2024

DOP Pedro Luque takes Nicola Foley through lensing Society of the Snow, Netflix’s breathtaking Andes flight disaster film

Grade Expectations

October 13th, 2023

Colourist Toby Tomkins talks about the process of creating distinct worlds and working in HDR for the first time for the BBC/Hulu adaptation of...

The hills are alive: Songs of Earth

October 11th, 2023

Directed by Norwegian native Margreth Olin, Songs of Earth sees – and hears – Scandinavia cast in a whole new light

Triple threat: The Creator

October 3rd, 2023

In hotly anticipated sci-fi The Creator, cinematographer Oren Soffer artfully incorporates natural aesthetics to construct an engaging AI-driven storyline. Collaborating with Grieg Fraser and...

I Think You Should Leave

July 27th, 2023

The DOP for popular sketch show I Think You Should Leave explains the challenges of shooting a hit run-and-gun comedy series in a matter...

Nine-inch tales: Brave Creatures

July 21st, 2023

World leading VFX specialist Adam Valdez explains how he filmed nine-inch creatures for a solo project, Brave Creatures

The Rig: All at sea

July 10th, 2023

Supernatural thriller The Rig made waves on release early this year, but required a huge effects effort to provide its creepy edge. Primary VFX’s...

Taking my shot: A snooker prodigy

July 6th, 2023

Filming a snooker prodigy on his journey to becoming a professional player may sound straightforward, but in the world of TV, creating content for...

Brave new world: His Dark Materials

July 4th, 2023

In the grand and enchanting fantasy genre, there exists a story of epic proportions that’s captivated our imaginations and transcended the bounds of reality...

production

Instagram

Newsletter