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production

Behind the mask: Scream

February 15th, 2024

Brett Jutkiewicz, cinematographer on Scream (2022) and Scream VI (2023), talks blood, gore and reviving Ghostface for a new generation

Heartbreak hotel: Priscilla

February 14th, 2024

Cinematographer Philippe Le Sourd and colourist Damien Van Der Cruyssen talk creating colour and connection in Sofia Coppola’s Priscilla

American Fiction

February 13th, 2024

Cristina Dunlap catches the tonal shifts in American Fiction, Cord Jefferson’s stinging riposte to Hollywood

Blades of glory: The Boys in the Boat

February 12th, 2024

The Boys in the Boat, George Clooney’s latest foray into directing, tells the true story of the University of Washington-turned-United States Olympic rowing team....

Killer instinct: The Killer

January 15th, 2024

With six unique locations, grading The Killer was never going to be simple. Colourist Eric Weidt shares how he captured the meticulous hitman

Lens logic: Femme

January 14th, 2024

Neo-noir thriller Femme follows two gay men as they wrestle with identity. Katie Kasperson hears from DOP James Rhodes on how both storylines were...

Pure imagination: Wonka

January 11th, 2024

An Oompa Loompa, giraffes and a chocolate waterfall. Will Lawrence talks creating Wonka’s madcap visual effects with Framestore’s Graham Page

Survival saga: Society of the Snow

January 10th, 2024

DOP Pedro Luque takes Nicola Foley through lensing Society of the Snow, Netflix’s breathtaking Andes flight disaster film

Grade Expectations

October 13th, 2023

Colourist Toby Tomkins talks about the process of creating distinct worlds and working in HDR for the first time for the BBC/Hulu adaptation of...

The hills are alive: Songs of Earth

October 11th, 2023

Directed by Norwegian native Margreth Olin, Songs of Earth sees – and hears – Scandinavia cast in a whole new light

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