Productions

January 14th, 2022

Through use of costume, lighting and locations, House of Gucci brings to life the tragic tale of an iconic Italian family

January 14th, 2022

DOP Eben Bolter discusses LED screens, HDR monitoring and other colourful solutions for the production of Night Teeth

October 26th, 2021

Kramer Morgenthau on the revival of one of the world's most beloved TV shows for the big screen

October 8th, 2021

DOP Matt Gray uncovers the production secrets of the BBC’s gripping submarine thriller, Vigil

September 6th, 2021

DOP David Katznelson on capturing joy amidst a crisis in the 1980s gay community for highly acclaimed drama, It’s A Sin

August 26th, 2021

Cinematographer Michael Burgess had big shoes to fill for the third instalment of The Conjuring

August 26th, 2021

No recent innovation is as contentious as high frame rate technology. But can it be cracked, and what is its future in film?

June 18th, 2021

ARRI has just announced the opening of its new, state-of-the-art mixed reality studio in the UK

June 18th, 2021

A Quiet Place Part II’s visuals have to speak for themselves. DOP Polly Morgan explains how she shot this action-packed sequel

June 7th, 2021

Nicolas Karakatsanis reveals why he used two different sensors to capture the origin story of Cruella

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