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Productions

Sony for Cinema

September 30th, 2022

Sony’s 4K Super 35 Camera, the FX30, expands its cinema line and is made for anyone looking to start filmmaking

The speed of light

September 28th, 2022

Shunning big rigs and weighty supports, DOP Danny Vecchione opted for a lighter handheld set-up on his latest movie Down with the King

Rift: Animation continuum

September 9th, 2022

Bridging Unreal Engine and DaVinci Resolve, director Haz Dulull broke the mould with new feature film Rift. Its exciting workflow is more efficient, supremely...

Pachinko: (Not) Done by the book

September 8th, 2022

Pachinko challenges the viewer to invest early, and reap the benefits of a tale for generations

Spy games in Slow Horses

July 27th, 2022

Oscar-winning actor Gary Oldman’s first TV lead role sees a British espionage drama with a difference – the spies are rubbish. Cinematographer Danny Cohen...

A glittering family affair

July 27th, 2022

The trio of Premista lenses are making waves. Just ask cinematograper Philipp Blaubach BSC, who used them on Bridgerton and new Disney+ series Culprits

Thrill of the chase

July 27th, 2022

The immensely popular Bosch saga has returned for a sequel series. For Jeremy Nelson of Moving Target, it demanded VFX nuance and a well-equipped...

Thar she glows!

July 19th, 2022

In capturing 60K footage and manning a 165ft LED volume for high-seas comedy Our Flag Means Death, Stargate Studios founder Sam Nicholson may just...

Rise of the Robots

July 19th, 2022

From Terminator’s T-1000 to the sentinels of The Matrix, machines often play arch-enemy in front of the camera. But behind it, they’re more helpful...

Going up to Eleven

July 19th, 2022

Stranger Things is back for a fourth season and, as DOP Caleb Heymann tells us, it’s arguably his most challenging project yet

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