Insight

Cloud forecast

November 2nd, 2022

From camera to cloud to remote post-processing, is the industry’s physical media on its last legs? If so, what’s in store – and when?...

Special (effects) agent

November 1st, 2022

Bond turned 60 last month. To celebrate, Definition asked Chris Corbould OBE – the man responsible for visual effects on 15 of the movies...

CVP hosting lighting masterclass

October 20th, 2022

Cinematographers Harlon Haveland and James Friend to headline the free event

Sony for Cinema

September 30th, 2022

Sony’s 4K Super 35 Camera, the FX30, expands its cinema line and is made for anyone looking to start filmmaking

The speed of light

September 28th, 2022

Shunning big rigs and weighty supports, DOP Danny Vecchione opted for a lighter handheld set-up on his latest movie Down with the King

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Rift: Animation continuum

September 9th, 2022

Bridging Unreal Engine and DaVinci Resolve, director Haz Dulull broke the mould with new feature film Rift. Its exciting workflow is more efficient, supremely...

IBC 2022: ’Dam busters

September 8th, 2022

IBC is back at the RAI Amsterdam after a Covid-enforced sabbatical. Here’s what to expect... and which stands to look out for!

Pachinko: (Not) Done by the book

September 8th, 2022

Pachinko challenges the viewer to invest early, and reap the benefits of a tale for generations

Spy games in Slow Horses

July 27th, 2022

Oscar-winning actor Gary Oldman’s first TV lead role sees a British espionage drama with a difference – the spies are rubbish. Cinematographer Danny Cohen...

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