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Cinematography

Grade Expectations

October 13th, 2023

Colourist Toby Tomkins talks about the process of creating distinct worlds and working in HDR for the first time for the BBC/Hulu adaptation of...

The hills are alive: Songs of Earth

October 11th, 2023

Directed by Norwegian native Margreth Olin, Songs of Earth sees – and hears – Scandinavia cast in a whole new light

Teenage dream: Sex Education

October 5th, 2023

As Sex Education comes to a climax, Katie Kasperson unpacks the show’s colourful, transatlantic aesthetic

Triple threat: The Creator

October 3rd, 2023

In hotly anticipated sci-fi The Creator, cinematographer Oren Soffer artfully incorporates natural aesthetics to construct an engaging AI-driven storyline. Collaborating with Grieg Fraser and...

The eye of the storm

September 18th, 2023

Nicola Foley meets the makers of The Storm Chaser, a critically acclaimed windsurfing film making waves on the festival circuit

Full throttle: Gran Turismo

September 14th, 2023

Dynamic and audacious: How DOP Jacques Jouffret created spectacularly real racing scenes for Gran Turismo

Shock and awe: Oppenheimer

September 12th, 2023

DNEG – sole VFX partner on the dazzling Oppenheimer – shares the inside story of creating history for Christopher Nolan's atomic-age epic

Go further with the new DJI kit

August 10th, 2023

DJI’s new transmission enhances capabilities for cinematographers and facilitates a wider range of shooting scenarios

Bury the Dogs: Inspired by lockdown

July 31st, 2023

Bury the Dogs was the result of creator Beth Rowland being locked down in her childhood bedroom

I Think You Should Leave

July 27th, 2023

The DOP for popular sketch show I Think You Should Leave explains the challenges of shooting a hit run-and-gun comedy series in a matter...

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