production

Nine-inch tales: Brave Creatures

July 21st, 2023

World leading VFX specialist Adam Valdez explains how he filmed nine-inch creatures for a solo project, Brave Creatures

The Rig: All at sea

July 10th, 2023

Supernatural thriller The Rig made waves on release early this year, but required a huge effects effort to provide its creepy edge. Primary VFX’s...

Taking my shot: A snooker prodigy

July 6th, 2023

Filming a snooker prodigy on his journey to becoming a professional player may sound straightforward, but in the world of TV, creating content for...

Brave new world: His Dark Materials

July 4th, 2023

In the grand and enchanting fantasy genre, there exists a story of epic proportions that’s captivated our imaginations and transcended the bounds of reality...

The Last Kingdom: End of the reign

June 30th, 2023

The Last Kingdom: Seven Kings Must Die aims to tie up all the loose ends posed by the conclusion of Season 5. However, making...

Sodium for a sustainable future with Salt-E Dog

May 31st, 2023

Anton/Bauer unleashes the future of sustainable film and TV production. But how effective is the Salt-E Dog power generator for the media and entertainment...

Revealed by robots: The Invisible Man

May 31st, 2023

The Invisible Man has had lots of iterations over the years, but nothing quite like this one

The Burning Girls: The heat is on

May 26th, 2023

Cinematographer behind the eagerly anticipated series The Burning Girls talks VFX, screens and night shoots in the country

Buster: Crime pays

May 9th, 2023

It’s 35 years since Phil Collins played the titular role of Buster Edwards in a film about the Great Train Robbery. Director David Green...

Lights, camera, sustainable action!

May 3rd, 2023

The climate crisis has put the spotlight on sustainable practices throughout different sectors – filmmaking included

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