Insight

CVP: Ransom demands

November 22nd, 2022

A tight schedule, brand-new kit and a huge studio gave Joe Ransom a major challenge shooting a Litepanels commercial. With the help of CVP,...

Singing through a pandemic: David Attenborough’s Wonder of Song

November 22nd, 2022

We delve into how Attenborough’s Wonder of Song was filmed in the UK, Germany and Australia – in the midst of the Covid-19 outbreak

Blonde ambition

November 2nd, 2022

Chayse Irvin’s Blonde cinematography paints a fragmented fiction of history’s most famed actress – wilfully disruptive and emotionally charged in equal measure

Cloud forecast

November 2nd, 2022

From camera to cloud to remote post-processing, is the industry’s physical media on its last legs? If so, what’s in store – and when?...

Special (effects) agent

November 1st, 2022

Bond turned 60 last month. To celebrate, Definition asked Chris Corbould OBE – the man responsible for visual effects on 15 of the movies...

CVP hosting lighting masterclass

October 20th, 2022

Cinematographers Harlon Haveland and James Friend to headline the free event

Sony for Cinema

September 30th, 2022

Sony’s 4K Super 35 Camera, the FX30, expands its cinema line and is made for anyone looking to start filmmaking

The speed of light

September 28th, 2022

Shunning big rigs and weighty supports, DOP Danny Vecchione opted for a lighter handheld set-up on his latest movie Down with the King

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Rift: Animation continuum

September 9th, 2022

Bridging Unreal Engine and DaVinci Resolve, director Haz Dulull broke the mould with new feature film Rift. Its exciting workflow is more efficient, supremely...

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