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Insight

House Red: The Italian job

February 3rd, 2023

A movie of its own could be made about the filming of House Red. This horror, set in a Tuscan vineyard, was hexed from...

MPB: Bring in the used

February 2nd, 2023

It’s always tempting to buy the latest, shiniest kit, but newer does not necessarily mean better. Matt Barker, CEO of MPB, explains why

ISE: Run the show

December 22nd, 2022

ISE brings together the core sectors that make up the global AV and systems integration industry. Here’s what to expect in 2023

Phone chiller

December 21st, 2022

Ricardo de Gracia, DOP on critically acclaimed Netflix Spanish teen drama Élite, explains how he brought horror to the north-west of England

Working with the devil

December 19th, 2022

The Devil's Promise director Colin Teague explains how you make a blockbuster with poor internet connectivity – and an FX company hit by war

Year of the dragon

December 16th, 2022

As the prequel to an HBO juggernaut, House of the Dragon had beastly shoes to fill. The man behind VFX for the big-budget series...

Peak power: Creating The Soloist VR

November 24th, 2022

When filming in extreme conditions, having reliable equipment is absolutely paramount

Wildscreen at 40

November 24th, 2022

Sir David Attenborough, Pope Francis, a drag queen and an Amazonian chief mark the festival’s first hybrid event

A real fake story

November 23rd, 2022

The man behind a documentary about Thunderbirds creator Gerry Anderson explains why deepfake is not taboo

Stranger than fiction

November 23rd, 2022

With Navalny, Niki Waltl pairs thrilling subject matter with cutting visuals fit for cinema. However, this tale is grounded firmly in reality

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