Industry

October 1st, 2025

Phil Rhodes explores the emergent 3D capture technology, with input from Clear Angle Studios and the NFTS

September 22nd, 2025

Atomos reimagines the five-inch field monitor with the ultra-connected, cloud-ready, codec-loaded Ninja TX

September 11th, 2025

Celebrating its 20th anniversary, Broadley has long championed virtual production workflows. Now, it’s expanding into AI services

September 8th, 2025

We’re heading back to Amsterdam for IBC Show, keen to discover the trends, tools and tips defining today’s pro video production

September 5th, 2025

In the heat and high-octane atmosphere of Le Mans Classic, the Samsung Portable SSD T9 proved that it’s the ultimate drive for filmmakers working...

August 29th, 2025

Senior colourist Greg Fisher and DOP Robbie Ryan, BSC, ISC discuss working together – and for Yorgos Lanthimos

August 25th, 2025

What exactly is quantum dot OLED, and what does this technology mean for filmmaking – and beyond? Bram Desmet, CEO at Flanders Scientific, dives...

August 20th, 2025

DOP Kim Ji-yong and colourist Park Jin-young reveal the creative choices behind the look of Squid Game Season 2

August 15th, 2025

Gelato VFX’s Eddy Strickland outlines the processes involved in adding historically accurate colours to vintage film footage

August 11th, 2025

We sit down with BAFTA-nominated black filmmaker Stewart Kyasimire to discuss the pitfalls and best practices of lighting diverse skin tones

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