TECHNICOLOR

Technicolor’s highly experienced colourist Jean-Clément Soret put the eighties aesthetic on Sky’s new Chernobyl drama, while keeping it real.

As part of our series profiling women in the FILM industry, we showcase the female colourists on our radar.

For the new Fantastic Beasts movie, Technicolor managed a huge and complex pipeline from dailies to deliverables.

Paddington 2 takes the colour from the first film and bends the management rules. Technicolor senior colourist Peter Doyle explains how it was done.

Technicolor announced today the acquisition of London-based The Mill, the world’s largest visual effects and content creation studio for the advertising industry, for €259 ...