Cinematographer Dan Mulligan starts his new blog about the Datacentric video worldWell known cinematographer Dan Mulligan has joined HD Magazine online with his take on the progress of the datacentric video world. However he starts with a question about the development in the Medium Format stills world and Hassleblad in particular.
The movie Suffragette allowed DoP Edu Grau to use a camera he’d almost forgotten about, the camera gave him the freedom to change his style of shooting which in turn tot...
As natural history programmes increasingly base their cinematic sequences on the narrative, what part of the moviemaking box of tricks should you be looking to use?