COOKE

On Sentimental Value, cinematographer Kasper Tuxen, DFF reunites with director Joachim Trier. He talks shooting on 35mm ARRICAM with Cooke lenses, intimate handheld work an...

Running across four central London venues, this flagship event blends hands-on training, networking opportunities and expert insight from major brands including RED, Blackm...

We chat with DOP Tim Cragg on shooting the cinematic sci-fi documentary Encounters with Cooke’s full-frame anamorphic lenses

The Last Kingdom: Seven Kings Must Die aims to tie up all the loose ends posed by the conclusion of Season 5. However, making a film instead of a sixth series creates some ...

DOP Dylan Bruce gets back to nature to shoot the story of one man and his vineyard for Cooke

DoP Glen Keenan shares his experience with the Anamorphic/I Full-Frame Plus Special Flare Lenses on set.

Wanting unique, consistent looks, without having to resort to older lenses? We round up a selection of manufacturers delivering a solution

Hot on the heels of the shortlist being announced for our Tech Innovation Awards, it’s now...

Cooke’s new 35-140mm Anamorphic zoom lens is a monster in more ways than one. But if you’re lucky enough to try one you may be spoilt for life. Words Jonathan Jones.

Creative Director of Ember Films, Jonathan Jones took a look at an early example of the Cooke Macro Anamorphic 65mm lens.