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The Last Kingdom: End of the reign

June 30th, 2023

The Last Kingdom: Seven Kings Must Die aims to tie up all the loose ends posed by the conclusion of Season 5. However, making...

Dylan Bruce: Vintage wisdom

June 1st, 2023

DOP Dylan Bruce gets back to nature to shoot the story of one man and his vineyard for Cooke

Star Trek DoP talks Cooke Anamorphic lenses

May 12th, 2022

DoP Glen Keenan shares his experience with the Anamorphic/I Full-Frame Plus Special Flare Lenses on set.

A new legacy

April 27th, 2022

Wanting unique, consistent looks, without having to resort to older lenses? We round up a selection of manufacturers delivering a solution

Have your say in Definition’s Tech Innovation Awards 2019!

May 17th, 2019

Hot on the heels of the shortlist being announced for our Tech Innovation Awards, it’s now...

Pure Heavyweight Class

January 3rd, 2017

Cooke’s new 35-140mm Anamorphic zoom lens is a monster in more ways than one. But if you’re lucky enough to try one you may...

USER REVIEW: Cooke Anamorphic Macro 65mm Lens

February 22nd, 2016

Creative Director of Ember Films, Jonathan Jones took a look at an early example of the Cooke Macro Anamorphic 65mm lens.

Cooke Optics launches new wide angle zoom lens

February 19th, 2016

Cooke Optics have announced the first of two planned zoom lenses.

Cooke Optics Case Study Their Lenses on new Web Site

December 29th, 2015

Cooke has published a new website just to case study cinematographers who have used their lenses.

‘Stratton’ Falls For Cooke Look

November 11th, 2015

Cinematographer Felix Wiedemann has chosen Anamorphic/i lenses from Cooke Optics to shoot the action thriller Stratton. 

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