ADAPTATION

Turning YA phenomenon Percy Jackson into a TV series was the ultimate quest for cinematographer Pierre Gill, CSC. Sticking to the source material, with Percy at the centre,...

Colourist Toby Tomkins talks about the process of creating distinct worlds and working in HDR for the first time for the BBC/Hulu adaptation of Great Expectations

Dynamic and audacious: How DOP Jacques Jouffret created spectacularly real racing scenes for Gran Turismo

In the grand and enchanting fantasy genre, there exists a story of epic proportions that’s captivated our imaginations and transcended the bounds of reality – here’s how Hi...

The Last Kingdom: Seven Kings Must Die aims to tie up all the loose ends posed by the conclusion of Season 5. However, making a film instead of a sixth series creates some ...

Cinematographer behind the eagerly anticipated series The Burning Girls talks VFX, screens and night shoots in the country

This game-changing adaptation has mushroomed into a critical and commercial hit. The Last of Us DOP Eben Bolter reveals all

Two episodes in and already a hit, The Last of Us creators have cracked the code to successful video game adaptations