TV

Rain, reshoots and Rothko – the team behind heist drama Culprits faced a number of hurdles

Anton/Bauer unleashes the future of sustainable film and TV production. But how effective is the Salt-E Dog power generator for the media and entertainment industry?

The training scheme, launched by Eleven, is designed for under-represented groups in television production and script editing

Oscar-winning actor Gary Oldman’s first TV lead role sees a British espionage drama with a difference – the spies are rubbish. Cinematographer Danny Cohen delights in this ...

The trio of Premista lenses are making waves. Just ask cinematograper Philipp Blaubach BSC, who used them on Bridgerton and new Disney+ series Culprits

Season 2 turned Russian Doll on its head, in every sense. Not least Ula Pontikos’ cinematography, which offers a stunning visual trip through history

When DOP Eben Bolter got the job on Armando Iannuci’s new space comedy, he went from his normal single-camera drama to multicam cinematic improv.

Our favourite teen criminals are finally back – or, at least, one of them definitely is. We speak to DOP Benedict Spence about how he shot Series 2 of The End of the F***in...

DOP Justin Brown stays true to his source materials when recreating Philip Pullman’s series of novels for the screen. Plus, we talk to VFX supervisor Russell Dodgson a...

As part of our series profiling women in the film industry, we showcase the females paving the way in post-production.