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Against all odds: Culprits

November 29th, 2023

Rain, reshoots and Rothko – the team behind heist drama Culprits faced a number of hurdles

Sodium for a sustainable future with Salt-E Dog

May 31st, 2023

Anton/Bauer unleashes the future of sustainable film and TV production. But how effective is the Salt-E Dog power generator for the media and entertainment...

Duly Noted returns for third year

March 8th, 2023

The training scheme, launched by Eleven, is designed for under-represented groups in television production and script editing

Spy games in Slow Horses

July 27th, 2022

Oscar-winning actor Gary Oldman’s first TV lead role sees a British espionage drama with a difference – the spies are rubbish. Cinematographer Danny Cohen...

A glittering family affair

July 27th, 2022

The trio of Premista lenses are making waves. Just ask cinematograper Philipp Blaubach BSC, who used them on Bridgerton and new Disney+ series Culprits

The illusion of time

May 19th, 2022

Season 2 turned Russian Doll on its head, in every sense. Not least Ula Pontikos’ cinematography, which offers a stunning visual trip through history

Space blast

January 24th, 2020

When DOP Eben Bolter got the job on Armando Iannuci’s new space comedy, he went from his normal single-camera drama to multicam cinematic improv.

Welcome to The End Of The F***ing World

December 17th, 2019

Our favourite teen criminals are finally back – or, at least, one of them definitely is. We speak to DOP Benedict Spence about how...

From dust till dawn

November 20th, 2019

DOP Justin Brown stays true to his source materials when recreating Philip Pullman’s series of novels for the screen. Plus, we talk to VFX supervisor...

Women in Post

October 10th, 2019

As part of our series profiling women in the film industry, we showcase the females paving the way in post-production.

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