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Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Sound of Metal: Aural pleasure

April 13th, 2021

Nicolas Becker and Carolina Santana discuss recording inside the human body and emulating deafness

Fake pixels?

April 1st, 2021

We speak to DOP, Eben Bolter, about the growing trend of 4K restoration of early digital cinema

Creative haven

January 23rd, 2020

Production and post innovator, HARBOR, offers clients a forward-thinking environment, while its award-winning talent...

The age of the visualisers

January 10th, 2020

You are a builder of worlds, you sit astride multi-cinematic disciplines with the imagination to foresee complicated but extraordinary movie sequences: you are a...

Future Post Part 1

November 5th, 2019

All the best technologists question the status quo, and in post-production, things have to evolve to manage the current torrent of content.

Nothing better than the real thing?

September 24th, 2019

There was the movie Babe, with real animals talking with animated mouths. There was Avatar, with a few motion-captured aliens mixing it with real...

Digital Rivers

August 29th, 2019

Discover how the Samsung Portable SSD X5 and faster internet lines are helping regional VFX studios stay ahead of the game.

Nuclear fusion

July 3rd, 2019

Technicolor’s highly experienced colourist Jean-Clément Soret put the eighties aesthetic on Sky’s new Chernobyl drama, while keeping it real.

Filming in Ryme City

June 26th, 2019

Why does conventional wisdom demand that a film with digital characters has to be captured digitally? Pokémon Detective Pikachu blows that theory out of...

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