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VFX breakdown – Mufasa

February 24th, 2025

Production VFX supervisor Adam Valdez on crafting the Pride Lands for Mufasa

Nara maximises efficiency

February 10th, 2025

The evolving media management platform, Nara, helps Light Iron improve its workflow

Grading Gladiator II

January 9th, 2025

Colourist Stephen Nakamura from Company 3 on his long history of collaboration with Ridley Scott and crafting the look of the new sequel

Drop dead gorgeous

September 26th, 2022

How VFX played a surprisingly large role in making the latest season of Only Murders in the Building an aesthetic tour de force

Sound of Metal: Aural pleasure

April 13th, 2021

Nicolas Becker and Carolina Santana discuss recording inside the human body and emulating deafness

Fake pixels?

April 1st, 2021

We speak to DOP, Eben Bolter, about the growing trend of 4K restoration of early digital cinema

Creative haven

January 23rd, 2020

Production and post innovator, HARBOR, offers clients a forward-thinking environment, while its award-winning talent...

The age of the visualisers

January 10th, 2020

You are a builder of worlds, you sit astride multi-cinematic disciplines with the imagination to foresee complicated but extraordinary movie sequences: you are a...

Future Post Part 1

November 5th, 2019

All the best technologists question the status quo, and in post-production, things have to evolve to manage the current torrent of content.

Nothing better than the real thing?

September 24th, 2019

There was the movie Babe, with real animals talking with animated mouths. There was Avatar, with a few motion-captured aliens mixing it with real...

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