LIGHTING

Timm Cragg reviews the astera quikbeam

Joshua Ighodaro breaks down the amaran Ray 660c, a streamlined, monolight-style design – the first full-colour COB in its power class.

Cinematographer Tim Cragg puts Aputure’s NOVA II through its paces on the shoot for an upcoming Netflix true-crime documentary

Documentary DOP Tim Cragg tells us about the tools that let him bend light without breaking the bank

Made with users in mind, Aputure's Spotlight Mount II brings creative freedom to studio and on-location lighting, letting filmmakers shape light as needed

Efficient pan and tilt control for the Nanlux Evoke 5000B and 2400B LED spotlights can now be smoothly achieved with the new YK-E-EVL Motorised Yoke-L

With its knack for innovation, Aputure is leading the way in eco-conscious, quality-first film lighting, finds Katie Kasperson

Gaffer Harlon Haveland discusses his approach to the new Paramount+ series – and how the Aputure INFINIMAT played a critical role

Aputure gathered a panel of experts at BSC Expo to discuss the current state of professional lighting colour control on-set. We explore the key takeaways

Keeping track of lighting parameters has never been so easy with this handy, compact colour meter from Datacolor