COLOUR

Colourisation and restoration are Gelato VFX’s bread and butter. Its recent work on a Sky History docuseries brings unseen WWII footage to the fore.

Josh Bohoskey breaks down the textured autumnal look of Rooster

Fans have been loud online, voicing a common criticism: that today’s films and TV series look a bit lifeless. We ask filmmakers for an explanation

Colour science may have evolved, but modern set-ups are not immune to old challenges, discovers Phil Rhodes

Colour control is more powerful – and complex – than ever before. Phil Rhodes explores the tools shaping how we see the image

Aputure gathered a panel of experts at BSC Expo to discuss the current state of professional lighting colour control on-set. We explore the key takeaways

We sit down with Squid Game’s production designer Chae Kyoung-sun to discuss the colours, sets and references that define the latest season

The quest for colour-perfect, user-friendly lighting continues – and 2025 might just deliver, says Phil Rhodes

DOP Eben Bolter discusses LED screens, HDR monitoring and other colourful solutions for the production of Night Teeth