NETFLIX

DOP Adolpho Veloso, ABC, AIP talks embracing the natural world in Train Dreams
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We sit down with Squid Game’s production designer Chae Kyoung-sun to discuss the colours, sets and references that define the latest season
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Next on Netflix set the stage for an exciting 2025, with a lineup packed with new series, films and live events
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Indian thriller Kohrra showcases innovative VFX techniques to create an atmosphere shrouded in mystery. The team at FutureWorks explains how such an enigmatic look was achi...
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Tom Harper’s latest project, Heart of Stone, is a sleek, saturated spy film. Colourist Simone Grattarola explains how the look was achieved
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The new Netflix series Our Universe explores the fascinating relationship between Earth and the cosmos
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Chayse Irvin’s Blonde cinematography paints a fragmented fiction of history’s most famed actress – wilfully disruptive and emotionally charged in equal measure
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In capturing 60K footage and manning a 165ft LED volume for high-seas comedy Our Flag Means Death, Stargate Studios founder Sam Nicholson may just have landed his virtual p...
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Stranger Things is back for a fourth season and, as DOP Caleb Heymann tells us, it’s arguably his most challenging project yet
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Back in the early nineties, the UK film business was in trouble due to lack of investment - but heading towards the 2020s, things couldn’t be more different.
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