SERIES

As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual rules and camera cra...

Cinematographer Jason Oldak gives us the inside scoop on Loot Season 3’s ambitious desert island opener

Turning YA phenomenon Percy Jackson into a TV series was the ultimate quest for cinematographer Pierre Gill, CSC. Sticking to the source material, with Percy at the centre,...

Supernatural thriller The Rig made waves on release early this year, but required a huge effects effort to provide its creepy edge. Primary VFX’s director knew the drill...

Singing rhinos, skydiving walruses and jowl-thwacking seals. Producers Fredi Devas and Emma Napper reveal how they filmed...

When DOP Eben Bolter got the job on Armando Iannuci’s new space comedy, he went from his normal single-camera drama to multicam cinematic improv.

Our favourite teen criminals are finally back – or, at least, one of them definitely is. We speak to DOP Benedict Spence about how he shot Series 2 of The End of the F***in...