COLOUR SPECIAL

What exactly is quantum dot OLED, and what does this technology mean for filmmaking – and beyond? Bram Desmet, CEO at Flanders Scientific, dives in
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DOP Kim Ji-yong and colourist Park Jin-young reveal the creative choices behind the look of Squid Game Season 2
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Gelato VFX’s Eddy Strickland outlines the processes involved in adding historically accurate colours to vintage film footage
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We sit down with BAFTA-nominated black filmmaker Stewart Kyasimire to discuss the pitfalls and best practices of lighting diverse skin tones
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Daniele Siragusano, image engineer at FilmLight, considers the impact of machine learning on the craft of the colourist
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As the FilmLight Colour Awards return, we speak to this year’s judging panel to find out what makes the initiative so important – and what they’ll be looking for in entries
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Colour control is more powerful – and complex – than ever before. Phil Rhodes explores the tools shaping how we see the image
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